![]() I used spray mount on the cardboard and glued a layer of vlieseline on it since it will hold a lot of ink. In the video below I wanted to create a black background with white stripes. Since I like the variation and complexity that evolves through repeating one similar element every plate consists of one or two materials. At the moment I usually use slow drying spray mount that is permanent after 24 hours to glue for example sequins, paper stripes or vlieseline to the cardboard. When I create a plate I use 1 or 2 mm white acid free cardboard to glue my materials of choice on. A collagraph plate is quite sensitive and will be deformed by the pressure of the printing press so the collagraph editions are usually smaller than the ones made with silkscreen or linocut. During the inking process the ink will rub off surfaces that are smooth or higher and stay on surfaces that hold more ink, at edges and at lower points thus creating the image. To protect the plate through the printing process it's sealed with one or more layers of shellac. collagraph print is made by glueing different materials to cardboard and creating a kind of collage. Not to be reproduced without their permission. Reprinted with the permission of The Japanese Paper Place. Image provided by The Japanese Paper Place "Magical Secrets about Chine Colle" by Brian Shure, Kozo papers with a crisp, smooth surface work very well tootryĬontemporary Artists Printing Intaglio on Washi Yamagampi is pearly-surfaced and deluxe (click here to learn more)Ĭonservation Gampi is popular for chine collé, but may also be used on its own then pull washi from plate (newsprint and washi can be difficult to separate wrinkle-free if peeled apart after removing from plate together)Īny gampi papers are ideal because their smooth surface has the ability to show very fine detailĬlassic Kitakata is warm-toned and economical (click here to learn more).if backing sheet and printing paper are sticking when lifting print from plate remove newsprint first.ink can also go right through thinner papers when printing so print with several layers of newsprint behind to protect blankets.thinner papers dry out quickly – use newsprint backing sheets and print with first layer of newsprint dampened subsequent newsprint layers should be dry to protect blankets from getting soggy.dampen paper by misting or placing between layers of dampened newsprint in a damp pack. ![]() with absorbent paper, the ink will often show through on the back side and so the print can become two-sided, with the back showing a ‘veiled’ image that can again be printed on creating added depth.an absorbent paper holds the ink such that ink and paper appear as one element rather than the ink sitting on the surface.It can be printed as chine collé but is strong enough to be printed on it's own Washi's absorbent nature works beautifully with intaglio printing as it readily picks up detail and plate tone. Information abounds on the various ways in which images can be created using intaglio techniques, yet there is precious little about the substrate on which they are printed.Įven so, paper can have as much influence on a print as any of the other elements used to make it.
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